The Memory Man

I stand

at the gate that squeaks

when it moves to meet

the rest of itself.

A viscous collision occurs

as metal meets metal and

flakes of rust are disturbed

in the force of the thrust.

I wait in the wind for the

memory man to find his wings

and bring the broken

songs he sings for us.

I recall last spring when

the squeaking gate squeaked

and my waiting ceased,

when I rushed to greet you,

I moved to meet you;

the rest of myself.

As he sings to the beat

of the squeak,

and the thrust

of metal on metal,

the flaking rust,

I think of us.

Before, behind, beyond, and blind

 

I often wonder what it would be like to return to the house that had contained us all for those sordid and slowly passing years. I wonder what my mind would do if I came to directly face what had once been my prison. Often, when I think of it, I consider the conifer trees. In truth, those trees, are the first thing that springs to my mind; accompanied by an initial image of the exterior of the house from a certain angle. Always initially the same angle. But its always those trees.

Perhaps they hold such significance because they grew as I did, alongside me, on the outside. I remember them at a few different stages, but the variations are spread over time that cannot be accurately gauged or entirely trusted. Tiny saplings standing to attention like weak inexperienced infantry; on basic training, deployed to their fated service; committed but not yet sure of what they have been strategically deployed to defend, not yet knowing their purpose and ignorant to the politics that bubble away underneath the surface of their service.

They were so scrawny. so short and feeble; innocent and fresh. Perfectly aligned along the perimeter, the majority of them in 2 rows, one shorter than the other, linked by those that arced around the curve of green to make more pronounced the shape of the hellish corner plot on which the semi-detached stood. I wonder how strong they are now, and whether they know their purpose. I wonder how tall they stand and whether the man of the house enjoys neatening them, takes pride in the neatness of their formation, whether he considers them as a line of defence for his family or whether he allows them to become wayward until his wife’s nagging becomes too incessant to bear and so he spends the best part of a day snipping and chopping in the sunlight while contemplating the miseries of his life. I wonder if  their purpose has changed from what it once was; whether they now serve to keep the outside world out, or to keep the secrets inside the brick hidden. I wonder if they have been murdered, if they no longer served a purpose, and so, were wrenched from life to know only death and dryness.

I remember how odd they appeared when they were first planted against the backdrop of a well-established and giant patriarchal conifer that took pride of place in the middle of the front garden, shielding the lounge window from the outside world of the cul-de-sac. It stood like a promise, a foreshadowing of their fate: that once bound to the earth there is a sense of the inescapable, some doomed inevitability that the weak will become strong, one way or another, and that any growth is bound by servitude from the conditions chosen for us by others.

I often tell myself that I will return to the house, that I will face it head on as though it were a living, breathing enemy. My reasonable mind sometimes kicks in: it isn’t the house, or the conifers. They aren’t to blame. They cannot be. Yet among the confusion of symbols, and layers of possible meaning that makes all of this exactly what it is, those trees, and that house, are all there is left. There is no paper. There is no man, or woman. Just me, and that house, whose walls formed my prison, doubly guarded by those trees, know the whole truth. Only myself and them remain. We are the residue. The remnants of the aftermath. Those that continue to serve and keep secrets.

A few months ago, whist sitting in a coffee shop, I sprang to my feet, closed my laptop, and set off to see the trees.

The drive was excruciating. I did not know if they would greet me. I did not know if they still lived. I hoped, despite all that they represent, that they would still be there. I wanted them to hide the house from me. I realised, as I drove through winding country roads, that I was relying on them to protect me from the house. They once served a purpose to keep passing eyes from looking past the plot’s perimeter and into the secret space dominated by the depravity beyond the glass of the wide bay window. Now, I hoped that the purpose they once served for another’s desires would serve to protect me. I turned the corner into the cul-de-sac to find myself sufficiently greeted, but unprotected.

Long Ago…

I can’t say how or why it has come to this, or even how I have come to this. I’m not sure if the void, or the thing that I think is the void, has come from the outside in to fill me up, or if, slowly, everything inside has just trickled away, over time; away, and out of me. I don’t know which way it went, or if something came and took it. I feel like I will never know, and, I suppose, it doesn’t really matter.

 

It’s like I am watching myself from somewhere outside but still somehow attached, by some link that’s fraying and taut, about to snap. It’s like somewhere inside there is a part that holds onto a sense of crisp clarity. That part observes the strained link vividly and watches on while another part, the largest part, the part that is covered and suffocating in the mist. Part living. Part dying. Looking over the slowly deadening part while I watch it die.

 

I don’t know how else to describe it aside from that way. I can’t think of a clearer way to tell it to you.

 

Time is shooting by. Months pass; days mingle in, one to the empty next. It’s all undefined. Spiralling. Happening without me being a part of them. I am happening without being part of myself, like I’m not a part of myself, or in myself; moving further and further away from what I recognise. I don’t think my grip could be called a grip any longer. My hand is there, in the right position, reaching out and grasping as one would expect for one wanting to hold onto their life, and themselves. But it’s just there, looking like there should be something just out of its range, but it can’t quite be seen. It holds nothing. It reaches to nothing but craves for an object, and idea, some truth. No matter how much I grab, the flexing and straining amounts to nothing. I cannot reach the life that’s drifting away.

 

This is useless. Every metaphor I draw for doesn’t cover it. They just don’t fit. Perhaps a combination would suffice but there is no use in me delivering one after the other in an attempt to make you understand what I cannot understand myself. I’m not even sure where I am going with this, but I know it is somewhere. It has to be somewhere. I have to be going somewhere, right? Aren’t we all? Even if we can’t see where that place is, even if we have no control over how we get there, or when we arrive.

The New Cage

When he let me go, he didn’t set me free. He set himself free so that he wouldn’t have his freedom taken from him. He died inside walls of metal and glass, not within the concrete box that he deserved. He chose his way out to reach his freedom and disregarded me as he made his planned exit route his own reality. I often wish he had taken me with him but I know he couldn’t have done that.

 

I was the by-product.

The leftovers after a feast.

The residue.

 

He built for me, instead, a cage. Its construction took years of careful crafting and, gradually, it formed well – sturdy and strong. He prepared it for me. It laid in wait for the day that I would inhabit it; for the day he would send me to it.

 

Of course, he hid it from me. I hadn’t seen it until the day that I came to be trapped in it. It jarred me because, for a fraction of the most peaceful of moments, I thought I was free. You would have thought I was used to being shut away, but that brief moment, and the intricacies of that new cage, with its complex locks, and ever-changing structure, was a different kind of cage. A pretty hell of his design, except this time, I was alone, and he was free.

 

 

Shards

 

 

I found a piece at the foot of the cherry tree.

Ever so slightly, the rounded worn tip peeked

out from the earth. The rest of it hid; nestled,

embedded and muddied by the soiled years.

 

I found a piece wedged in a concrete slab.

Buried deep in dust in a hairline crack.

I must have dropped it when I lost my fear

of the crane flies that danced drowsily

in arcs across the path.

 

I found a piece stored in the corner of the varnished frame.

Flush to the portraits flat back, pinned against the virgin wall,

trapped behind stained times. I must have saved it there,

when I fled from him, and raced up the stairs.

 

All these shards

scattered through

the years of the past.

I did not gather them up.

I did not reclaim them,

or take them in.

Nor did I devour them.

I left them there

in their shallow graves

where I alone

can grieve them.

I let them remain

and kept them safe;

like scars, like stains,

like sharpened bones

at home on secret,

sordid thrones.